Wednesday, April 11, 2012

Ben & Jordan Watch Game of Thrones: The Night Lands

The bonds of brotherhood between Ben Morse and Jordan Geary were forged during their time as students at Connecticut College, where they spent four years losing at intramural sports (except softball in 2004!), forming their own fraternity because the school wouldn’t let them, making student films one professor called “unfortunate” and regularly beating their friend Dan Hartnett in Goldeneye.

Today, they live 20 minutes apart in New Jersey with their respective lovely wives, sharing passions for miniature golf, diner cuisine and the music of Motley Crue. They also both watch HBO’s Game of Thrones and have decided to write a column about it. While Jordan ran out and read all the books on which the show is based after season one, Ben prefers books with pictures and floppy covers.

Bear witness to their wit, wisdom and frequent allusions to Melrose Place as they try to do the tradition of Sean T. Collins and Megan Morse proud!


Ben: So I know it's only two episodes in so far, but what do you think of the season? I feel like it's been a little slow, but I gotta take into account they ended last season on a series of big action, escalating excitement moments, as most TV shows (and really any form of fiction) do. It's been a lot of getting to know new characters so far, but that's been cool, because I think I've dug more or less all the new additions (if there's somebody I've hated, I'm sure I'll recall it as I write this). Still, I feel like I've spent a lot of the last two weeks waiting for something to happen, I'm just not sure what. I know I need to be more patient, because obviously the bigger the build, the bigger the war. I can't help but wonder if they sit around the writers room thinking "There's going to be a lot of talking these first few, make sure we kill at least a baby an episode." I'm sure nobody actually says that. I could probably get sued for implying it. JORDAN, HELP ME OUT HERE. Are you at a different place since you've read the books and know what's ahead?

Jordan: I honestly can't tell if I am clouded by my love of the 2nd and 3rd Game Of Thrones books...two of the best books I have ever read...but I LOVE the 2nd season so far and have been downright giddy watching parts of it. While I concede that the TONS of new characters and storylines introduced are obviously causing the writers to do some heavy lifting (Robb Stark and Jaimie Lannister, two very central characters, couldn't even find screen time to appear in the 2nd episode), the groundwork for the rest of the season is being laid up front and is being done well. There is a LOT to come. The only thing I am confused about is the inclusion of a "new" scene or two that wasn't in the book. The books are insanely dense and it's enough of a challenge getting 1/4th of what's in them on the show. We don't need some scene with Littlefinger threatening a whore just so some writer can use "I'm not just a transcriber of Martin's books...I come up with stuff too!" as a pickup line at a bar.

Ben: I was pretty stoked for the Tyrion/Varys face-off. I'm glad we only got a little here and hope there's more to come. I enjoy Peter Dinklage verbally owning every other person on the show as much as the next guy (his bit with Slynt was instant Emmy clip), but it was neat to see a guy who is perhaps just as devious as him in Varys stand his ground. They're both cunning in different ways, as Tyrion makes folks underestimate him and Varys cozies up to them. I also just enjoy watching people who hate each other be dicks to one another but with a forced air of dignity because they're rich; that was 98% of what I liked about Downton Abbey.

Jordan: The Tyrion-Varys relationship is one of the major things I was looking forward to in this season, and so far it has been a home run. Dinklage has entered this season with a ridiculous confidence in his ability to step into Tyrion's skin after his Emmy win, and has resulted in television gold as Tyrion is supposed to return to King's Landing with a ridiculous confidence in his abilities. It's a marriage of actor and character personalities that is all too perfect and will surely score him another Emmy. Similarly, the actor who plays Varys deftly embodies the character who readers all perked up when seeing his name on the page. Descriptions alluded to in the book like "soft spoken", "having a tittering, knowing laugh", and "embodying a powdered, ghostly creepiness" all could not be portrayed more perfectly. In case it wasn't obvious, this was one of the aforementioned scenes that made me giddy!

Ben: Bronn is my man. It bums me out that he'd kill a baby for the right amount of scrilla (that's cash money), but hey, it was a different time.

Jordan: Rather than a display of it being "a different time," Bronn's "I'll do anything for a price" sellsword nature was the purpose of that line, something the HBO writers have crammed down the audience's throats about that character from the get-go. The Tyrion-Bronn friendship is a cute, yet intrinsically sad relationship: The only friends Tyrion, the unloved imp that entered the world with angry eyes on him by killing his mother with his very birth, could ever have must be literally bought by him.

Tyrion's girlfriend Shae was way prettier last season. How is this possible? Hair style? Wardrobe?

Ben: Cersei had a good episode. Her speech to Tyrion about he killed their mom by being born was brutal. I wonder how much of that was her just twisting the knife because she knows it hurts him and how much was genuine sadness? I can never tell with her. What I can tell is that Lena Headey raises her right eyebrow like nobody since The Rock. I think it may be stuck there.

Jordan: Cersei is as calculating as anyone in the kingdom, and the purpose of her conversation in that scene was to cruelly show to Tyrion that his japes are not the only ones capable of hurt. She should have been more evil and "vindictive with a smile" in that scene, instead of seeming genuinely hurt. This brings me to a giant issue I have: Lena Headley is a horrible casting choice as Cersei in every sense of the word. Yeah, I said it! ANYONE who has read the books knows what I'm saying. Cersei is supposed to be a vampy, hot, BOMBSHELL, who every single guy in the kingdom wants to sleep with (her sexuality being one of her best weapons). They must have cast the "I'm going to make an ugly scowl in every scene" sea hag Headley while George R.R. Martin (who was responsible for much of the casting) was out to lunch. The directors are now forced to put Barbara Walters blur filters on their cameras when she is onscreen to actively tone up her beauty, and Headley adds a thoughtfulness and self-awareness to the character that was all but absent in the books. Sharon Stone, if she were younger, would have been Cersei personified. Think that's a crazy statement? THAT'S how off on casting the character they were!

Ben: I was wondering how long it would take one of the poor actresses on this show to fall victim to your harsh intolerance for any perceived imperfection of physical beauty. After four paragraphs, I have my answer.

Megan thinks the desert where Daenerys is hanging out is in Nevada. That's all I got there. I want her to have more to do. It's going to be crazy when her story and the rest of the show actually collide, but I want it to take awhile, so she needs more stuff going on over in the American Southwest. I'd like to meet the other khals soon.

Jordan: Two thoughts on the Daenerys stuff as a whole in the show: The actress is starting to get annoying when she acts angry and that terrifies me as her character has to do a LOT more yelling and "hear me roar" stuff in the future. I'm raising the warning flag now, so that hopefully this can somehow be avoided. Wait...who am I kidding? No one cares what I think. This show has like a bajillion dollar budget, and I'm just some guy writing on a blog. I'm not erasing what I wrote though so I can say "I told you so" to my dog while I watch on the couch with him in the future.

Ben: Even though Emilia Clarke has been pretty subdued this season thus far, she was pretty badass last year, buddy, lest ye forget. But then again, you have more Twitter followers than I do and also I have no dog to brag to, so what do I know.

Jordan: Oh, the other thought? Joras Mormont's actor needs to be hairier. While the beard is a nice touch, George R.R. Martin can't go one sentence without punching the reader in the face with something like "Mormont touched his horse with his hairy, hairy knuckles, the horse flinching to get the hell away from his hairy ass and hairy back and hairy eyeballs". I'm paraphrasing, but you get the picture.

Ben: How can I not with poetry like that?

The dude who plays Gendry, Joe Dempsie, was one of my favorites from the first two seasons of Skins, so I'm not only happy he's on the show, but even more psyched his character seems to be pretty important as King Robert's sole surviving bastard. Him and Arya are money.

Jordan: The Arya journey is a reader fave, and the show is doing an amazing job with it. When I first saw Gendry I noted that I had pictured him being a little younger and better looking, but Dempsie's acting in this episode immediately showed me why they cast him. Brilliant work. The only thing that is taking me a bit of getting used to is how quickly they are cutting to the chase in a lot of these scenes. I mean, there is a lot of Arya and Gendry getting to know each other before Gendry finds out Arya is a girl, so to cram it into their first scene together was a difficult task. No idea how the hell they pulled it off, but the "Yo wassup, I'm Gendry. You ain't got a penis. Let's be friends", condensed about 300 pages into one awkward scene...yet it worked! I'm flabbergasted!

Also, the show did a great job of making Arya look like a boy.

Ben: Their entire exchange had me rolling with how natural and funny it was, but they had nice heartfelt moments too. If this were a normal show, I'd assume she'd develop a crush and he'd eventually brush her off gently because she's like 9, but since this is an HBO series packed to the brim with incest and baby killing, I'm intrigued to see what happens.

Speaking of which, how was there no nudity or sexual content warnings before this week's show? There was the blanket "Adult Content" one, but you've got those specific ones, use 'em!

Jordan: DAMN there was a lot of sex in this episode. I had to fight from cheering loudly during the scene where Stannis buggered Melisandre on the battlefield map. That was awesome.

Ben: Yoren was a bad ass. I will never aim for a dude's neck when attempting to cut him to death again. This show is both entertaining and educational.

Jordan: I LOVED the scene where Yoren put his blade to the crotch of the King's soldier as it showed how much he cares about protecting the kids. This was added for the show and was a great addition.

Let me take this time to make a casting review for readers of the books: Jacquen is cast perfectly, Rorge is cast well except this guy has a nose (the character in the book is nose-less), and Biter is way less scary than he was in the heads of anyone reading about him. Overall, the three prisoners are more or less cast well.

Ben: I love the heck out of Theon Greyjoy. He's a favorite of yours too, isn't he? Don't you have the t-shirt of his squid symbol? Anyhow, I dig his over-inflated self-worth and how everybody kicks him but he keeps on trucking. And if ever an actor had the perfect face to play a particular character, it's this guy. Had I read the books, I imagine I'd picture him looking exactly like this.

Jordan: Theon Greyjoy is tied to me like a weight. He is my favorite character and I empathize with him, yet am the only person on God's green earth that read the books and likes him. This is not an overestimation on my part. I've talked to tons and tons of readers, and I say this again for emphasis: NO ONE WHO HAS EVER READ THE BOOKS LIKED THEON EXCEPT FOR ME! This has been really annoying and confusing for me as when I ask for a reason why, each and every person uses the dreaded blanket "he's just unlikeable" way of describing Theon. Meanwhile, I read his smarmy dialogue, hilariously womanizing ways, see how he is repeatedly crapped on by everyone around him, and am enthralled. Watching his scene on the Iron Islands, right from the moment that he strode up to the old guy on the docks and proudly declared he was the heir to the kingdom to an apathetic stare, gave me chills. I LOVE THEON GREYJOY! Ben, the fact you like Theon makes you more of a brother than you could understand. Ask my wife Chloe, who has been there, rolling her eyes, while I interrogated people over and over about their Theon hate.

Ben: I bet there are more out there just like us, buddy, and hopefully we’ll hear from them. This blog has a cultured audience.

The other Greyjoys were pretty fantastic as well. I thought the dad was Bill Nighy for a sec, but I think a lot of British guys are Bill Nighy. Even though I like the Starks, his whole rap won me over within minutes and made me wanna call his son a whore too. Poor guy presumably just wanted to be rich and powerful and rape and pillage like everybody else on this show, I feel bad that all his sons died and there now seems to be no laundry or showers on his island. I also have a weird admiration for Yara that she was fine with letting her unknowing brother grope and fondle her because it would be that much more of a "Gotcha!" when he realized who she was. That's committing to a bit.

Jordan: The Greyjoys fascinate me...yet liking them is yet another thing I am completely alone on. Balon Greyjoy is a perfectly fierce product of the harsh life on the Iron Islands. Yara (known as Asha in the books) is an ambitious, sexy, hand-axe throwing badass. Oh, and I should mention...THEY ARE ALL F'IN PIRATES! How in the world can they NOT be interesting to everyone?! Ugh, so annoying. Whatever. I will wear my Greyjoy squid t-shirt to the gym and ignore the confused looks of anyone who did or did not read the books.

On a side note: There is a lot of hilarious sexual banter between Theon and his sister on their ride to the castle that had to get cut for time. This scene is worth reading the books alone. Double meanings of seafaring lingo and sexual organs have never been more perfect.

Ben: I'm glad the Greyjoys seemingly won't be operating as their own army and helping out somebody else instead. We've got enough rival armies already, but having a wild card as far as the seas go is a solid addition.

Jordan: The Greyjoys are a DEFINITE wildcard. I cannot think of a better word for them. I think you will be quite entertained with what develops.

Ben: Speaking of which, pirates are awesome. I support the addition of pirates to this show.

Jordan: Ben, where have you been all of my Game Of Thrones-reading life?

Ben: Like 15 minutes away, dude. I see you virtually every weekend.

Jordan: I know you are sarcastic, but after this entry don't play the "Oh I just watched this one scene and hate Theon and the Greyjoys now" trick on me. My heart won't be able to take it. I'm already on enough of an island over here. An IRON island!...That joke did not win anyone to my side.

Ben: It won me even further over to your side, bro.

I feel like I should care more about the Stannis/Melisandre stuff more than I do. I assume I will at some point. I think he's pretty fascinating but she kinda bores me. I almost feel like her introduction was too big in a way and it made me push back against what a big deal it seems like she is supposed to be. That said, I like that Stannis was playing medieval battleship and was hoping he would yell "I sank my battleship" when they went at it on the table. ENTENDRE!

Jordan: Stannis and Theon were the two characters that I was DYING to see in their storylines this season. Coincidentally, they are the two characters readers seem to completely hate as people, instead flocking to the boring superhero Jon Snow.

Ben: Jon Snow is not at all beloved in the Morse household. Ask Megan about him next time you see her.

Jordan: Pirates and witchcraft, CMON PEOPLE! I do agree with you that Stannis is being overshadowed by Melisandre so far this season and even though that makes sense because she needs to flex her powers, I'm hoping that changes. Stannis is a teeth-grinding, puritanical, by-the-book, self-hating force and deserves his due. That said, I am NOT saddened by the large amount of screen time for his loyal consigliere Davos Seaworth. Superb acting by pro Liam Cunningham.

Ben: Side note: We need to get our friend Taylor to name his first born Liam, boy or girl.

Jordan: One thing that was very important in this episode to anyone that read the books: WHOA! MELISANDRE PROMISED STANNIS A SON EARLY ON AND THAT'S WHY HE WAS HAVING SEX WITH HER?!?!?!?!?!? That was a change from the books, a major one. He is under her spell, to be sure, but the books make her promises of future power the cause of Stannis' interest, not a son. Future events will help explain why they graphically showed them doing the hippity dippity, but I don't think they needed to throw that whole son thing in there. Doubt that added wrinkle will make much sense or come back later at all.

Ben: Speaking of the first two seasons of Skins, Hannah Murray, another favorite from there, is playing Gilly, so that show is essentially a farm league for Game of Thrones and I'm all for it. Since she's beyond The Wall and Gendry is heading to The Wall, I hope against hope they will have a scene together and blow my mind. Don't shatter my dream, buddy.

Jordan: Won't say anything about Gendry/Gilly, but my first thought when looking at the actress who played Gilly was "yeah, the book said Gilly was plain-loking...but this person looks like a weird, large-toothed rabbit-person."

Ben: She is totally made up to look dirty and whatnot. She’s a cutie on Skins. I dare you to watch that show and not fall in love with Cassie. Actually, I just dare you to watch that show because it’s awesome and I want to blog about that too.

Jordan: Eh, I'm splitting hairs. I maintain the casting has been perfect on this show except for Cersei, Sandor "The Dog" Clegane (supposed to be playing him as a terrifying monster, not a eyelash-batting weepy guy), and Yara (Asha) who should have shorter hair, be hotter and look like Milla Jovovich (multiple people have agreed with me on this oddly perfect casting choice).

Samwell is perfectly cast. Enthusiastic and loveably out of place.

Ben: I love this unnamed Greek chorus you have alternately disagreeing with and praising you. We need a name for them.

When Craster was bringing that baby into the woods at the end, I was like "Two baby-killing cliffhangers on consecutive episodes? Really? Bold." but they went another way. Curious to see where that goes and curious to see this final king they're going on about up north. Wouldn't it be crazy if he was Canadian? Like, everything north of The Wall is the primitive version of Canada and we just don't know it? And he's super polite? Call me, George R.R. Martin.

Jordan: That baby thing was a weak cliffhanger for an otherwise fantastic episode. Craster doesn't interest me at all, and the fact he's an jerk to babies is only important to a certain end in the books. I'm guessing the writers said, "So the episode totally ends with Stannis plowin' Melisandre on a giant game of Risk!" and it got vetoed by someone who loves filming babies in the snow.

Ben: Final thoughts?

Jordan: Despite the added prostitute scene adding nothing to the story, Littlefinger still makes the show for me.

Ben: See you next week!

Thursday, April 5, 2012

My Five Favorite Age of Apocalypse Characters

I don’t remember how I first heard about what would become the Age of Apocalypse, but I remember being devastated.

I was a 13-year-old X-Men devotee in 1995, a time when the Internet was just having its formative yawns and certainly nothing like message boards or news sites for comics existed (that I knew of). We got the latest on what was going on with our books monthly via Wizard or Previews (if we wanted advance notification at all; a lot of times you just picked up your books off the shelf when they got there with no idea what to expect).

Whether it was the lead news story in Wizard (I distinctly remember the Adam Kubert art from Wolverine #75 of Jubilee waving goodbye) or some other way I can’t fathom, I learned there were rumors the entire X-Men line of comics (which at the time included Uncanny X-Men, X-Men, X-Factor, Excalibur, Wolverine, Cable, Generation X and my beloved X-Force as well as X-Men Unlimited) would be discontinued. No explanation beyond that, just rumblings being heard that soon the X-Men were going bye bye.

Today, after having worked at Wizard for a few years myself (with a few guys who were there in 1995), I can pretty safely say they were in on what’s to come and were playing the game perfectly as far as generating buzz. Today the pragmatist in me would also realize there was no way Marvel would jettison a franchise making as much as the X-Men because it would be bad business. As barely a teenager, my reaction was merely panic with a hint of confusion that Generation X was getting cancelled after like three issues.

A few weeks later, I called the Mighty Marvel Hotline (or whatever the 900 number Marvel had back in the day was called) and got the full down low that the X-Men would be embarking on a new epic called the Age of Apocalypse, with ever book being replaced by a new one (Astonishing X-Men, Amazing X-Men, Factor X, X-Calibre, Weapon X, X-Man, Generation Next and Gambit & The Externals to correspond with my earlier list). Again, bare minimum details, as the plot was being held tight and there was no indication on duration. I was intrigued, but also still pretty terrified I was losing my X-Men.

Of course we only ended up “losing” the X-Men for a few months and got an all-time classic story—maybe the best alternate reality story ever—out of it in Age of Apocalypse, the epic tale of what would have happened had Charles Xavier been killed before founding the X-Men, in particular Apocalypse taking over North America and Magneto forming his own X-Men as the planet’s last hope.

What I liked best about Age of Apocalypse and what made it such a great What If? was that it was very much a butterfly effect story rather than one with a wholesale and easy change. It wasn’t just “everybody is a vampire” (though there have been good yarns in that vein as well), it was “if Professor X is dead, it affects Magneto like this, which affects Quicksilver like this, which affects Storm like this…” and on down the line until the writers and artist pulling the strings got to explore an entire universe of familiar characters and what they would become under different circumstances, all tracing back to one tipped domino. There was a meticulous logic amidst the big crazy action and 90’s art of AoA that I really dug.

Nearly 20 years later, we’re two issues into an Age of Apocalypse ongoing series, something I certainly never expected to see but thus far love. The story has progressed cataclysmically since 1995, with the bulk of the characters spotlighted in the original saga dead, others transformed into villains or civilians, and new players introduced to keep things moving. Writer David Lapham makes it feel like two decades have indeed passed in this world; we didn’t get to see them, but little by little we’re learning. Roberto De La Torre and Lee Loughridge are the perfect complement on art because their style is so gritty and distinct that you would never mistake this for the Marvel Universe you know.

Like the original AoA, it’s a story not about a character or even a team, but an entire world; it’s ambitious and it’s impressive.

Though the bulk of them are dead or missing in the current book, I decided to get amped by re-examining my five favorite Age of Apocalypse characters and what makes them so.

5. HAVOK
Alex Summers’ jealousy of his older brother, Cyclops, has vacillated between gag and non-defining character trait in the traditional X-Men mythos, but in the Age of Apocalypse, it has exploded into being all that drives him in a crazy family soap opera that gives Dynasty a run for its money. Everything bubbling beneath the surface of Marvel Universe Havok erupts over into a truly loathsome villain who would mow down anything and anybody to take his brother out of the picture. Both men are adopted sons of Sinister, but while that upbringing has taken a toll on Scott, he still has a core of good waiting to be mined; not the case with Havok, who knows only hate, loathing and rage. His anger doesn’t even seem to have a focus at the degree it has progressed to; he just wants to hurt people, particularly his brother. Did Professor X have that much of a calming influence on Alex? Is this what he becomes without the love of Polaris or friendship of the other X-Men? I enjoyed trying to unravel all this, but more just liked watching Havok be a heel.

4. GAMBIT
Remy Lebeau in the Age of Apocalypse is Gambit dialed up to 11. He seemed on his way to becoming the guy we’re familiar with as an X-Man with Magneto’s friendship and Rogue’s love, but when the two of them hooked up, it sent him down the path of the ne’er-do-well he was heading on in our would without the X-Men. When we meet up with the guy, he’s running a thieves crew that includes his girlfriend Lila Cheney, Sunspot, Strong Guy and Jubilee and has the capacity to pull off intergalactic heists. Still, what I dig about AoA Gambit most is that despite the slimy exterior, when Magneto comes to him for a favor, he gives him hell about it, but still agrees to do it because it’s the right thing. More than that, I enjoy that in this darkest time, Remy Lebeau has become motivated by love more than ever, be it his unrequited feelings for Rogue or the ones for Lila he gets the opportunity to prove at the expense of reality itself (oops). In the Age of Apocalypse, where everything has gone to crap, Gambit reacts by becoming even more of a romantic.

3. SABRETOOTH
One of the big early shockers of Age of Apocalypse is that Sabretooth is a good guy. Again, though, it’s not as simple as just that because there is an explanation: Sabes started out as a Horseman of Apocalypse but couldn’t hack it so he got kicked to the curb and Magneto saved his life. The gist is that Victor Creed is still a homicidal jerk at his base, but the combination of there being a dude bigger and badder than him coupled with a good man actually believing in him is enough to bring him over to the side of angels (I tend to think it was more the former than the latter, since Professor X and others tried to give him a shot in the normal continuity; Sabretooth just needed to really get his ass kicked to scare him straight). Seeing him in the traditional Wolverine role as buddy to Wild Child, mentor to Blink, etc. was interesting and emphasized that this was a harsher world because here freaking Sabretooth was the gruff wise man/wacky uncle of the X-Men. The character obviously caught some love because he transitioned over into Exiles for years and even now is one of the few surviving original cast members in the AoA ongoing.

2. QUICKSILVER
With his father as the world’s top good guy and an actual positive role model, Pietro Maximoff turns out pretty ok in the Age of Apocalypse, one of the few characters who seem much better off with Charles Xavier out of the picture. All of Quicksilver’s untapped leadership potential gets realized as he’s not desperate to either gain the approval of or rebel against his dad, but rather just enjoys working with him and believes in his vision of a better world. In the Marvel Universe, it often seems like Pietro is just meandering from one vendetta to the next with the occasional ill-fated romance or family blow-up to break up the journey, but in the Age of Apocalypse he’s laser-focused on being a hero, not to mention darn good at it. The arrogance and impatience can still be glimpsed in his weaker moments, but he shuts it down for the greater good. He’s also got a sweet romance with Storm, something you’d never ever predict in normal continuity, but that works here with two good-hearted, driven workaholics who have found their match. After years of reading about angsty Quicksilver, it was cool to see him as one of the few bright spots in this gloomy story.

1. BLINK
I think it’s fair to say no Age of Apocalypse character has gotten more mileage than Blink. A Joe Madureira-redesigned version of the teenage teleporter who only made a handful of appearances in the mainstream reality before perishing against the Phalanx, Clarice Ferguson quickly emerged as a breakout AoA star. Partly this can be attributed to her being fairly new and thus captivating to an audience seeking just that, but I also think a lot had to do with taking the traditional X-Men trope of the spunky young girl who serves as unofficial team mascot ala Kitty Pryde or Jubilee and turning it on its ear. Held up against an old warhorse like Magneto or even a concerned mother hen like Rogue, not to mention the more aggressive versions of folks like Iceman, Storm or Banshee, Blink was indeed a bit more bubbly and optimistic, but she was still a teenager growing up essentially in hell, forced to learn survival when she should have been enjoying her best years. That Blink is fun enough that we can relate to her and maybe would want to have her as a buddy yet lethal enough to keep all her limbs and cut down Apocalypse’s goons with precision and confidence is a winning combo. Blink ended up anchoring Exiles for nearly 100 issues and proved so popular that the all-but-forgotten Marvel Universe version has even made a recent comeback.

Tuesday, April 3, 2012

Programming Note: Sean & Megan Watch Game of Thrones

With a heavy heart, I must report that the hit Cool Kids Table column "Sean & Megan Watch Game of Thrones" will not be returning for a second season at this time. Having recently become a full-time registered nurse in the NICU at [hospital name redacted], Megan cites increased professional pressure and resultant decreased free time as forcing her to give up her responsibilities.

"Why are you bothering me, Dance Moms is on," Megan said when asked to comment for this announcement.

Fortunately, you can still catch the illustrious Sean "Mr." T. Collins' thoughts on Game of Thrones at the Rolling Stone web site as well as MTV.com.

Will this feature return? Megan says if there is fan demand she will "consider coming back, but probably not."

Good night, and good luck.

Monday, April 2, 2012

Underrated/Overlooked: WrestleMania

WrestleMania is obviously the biggest day of WWE’s (and formerly the WWF’s) calendar year. It started out simply as a showcase for big matches and glitzy celebs, morphed into the “end of the season” for major feuds that would be shuffled and reset the next night, and has now settled into being a sort of hybrid of both. It’s the show the company builds to, that every performer brings their A-game to and that attracts an impressive amount of celebrity participation and media hype.

For the most part, each WrestleMania has had its own distinct identity. It’s hard to pick out every SummerSlam and certainly next to impossible to remember what happened one year to the next at Unforgiven or Extreme Rules, but if you name the Roman numeral (or blasphemous plain old number in at least two cases, not to mention the madness of X-7 and so on—it should ALWAYS be Roman numerals), a true wrestling fan worth their salt can spit back to you which WrestleMania it was.

III was Hulk/Andre. IV was when they did the World title tournament. IX everybody wore togas. Hart/Michaels Iron Man at XII. They called XVI 2000 to drive me nuts. Brock Lesnar nearly killed himself at XIX. Flair retired at XXIV. HBK followed him at XXVI.

To be fair, XXII doesn’t really stand out, but you get the gist.

Thing is, try as they might to stack the show from start to finish with hits—not so much during the V-VIII era, but more or less before or after—and as much as the folks performing go above and beyond to make their moments count, each WrestleMania generally gets remembered for one or two matches tops (X-7 is the exception that proves the rule).

III is the aforementioned Hulk/Andre plus Savage/Steamboat. V is the Megapowers. VI is the Ultimate Challenge. X is the Ladder match. XII is the Iron Man. 13 (bleh) is Austin/Hart. X-8 is Hogan/Rock. XXV and XXVI are the HBK/Undertaker matches.

And so on.

But each year there is at least one (usually more) classics that slip under the radar simply because they’re the third, fourth or fifth best matches on a card where everybody wants to have a classic. Those are the showdowns I want to remember today. In doing so, I’m leaving plenty out myself, but each of these holds a special place in my own heart.

Roddy Piper vs. Adrian Adonis (WrestleMania III)
The third WrestleMania gets a lot of consideration for being among the best ever based on the enormity of the event itself, the epic feel of the main event and the fact that Randy Savage and Ricky Steamboat had flat out one of the best matches of all-time; however, despite its pedigree, not much else from this show gets remembered. A lot of it is perfunctory—fine not great—but there’s also some cool miscellany, like Alice Cooper accompanying Jake Roberts to the ring, King Kong Bundy squashing a midget, and this match. It was no technical classic, but as far as cosmically satisfying wrestling finishes, this is right up there with reformed bad guy Piper putting the irritating Adonis to sleep and then Brutus Beefcake shaving his head to officially become “The Barber.” Despite having been the most hated man in the business a year earlier, Piper is tremendous as a babyface here, having the time of his life before heading off to Hollywood for a couple years, and Adonis is equally perfect and totally unselfish as the heel getting humbled; two guys who knew how to light the crowd afire and played their roles to a T made for a great WrestleMania moment.

The Rockers vs. Haku & The Barbarian (WrestleMania VII)
WrestleMania VII was a bit of an off-year, as the Hogan-Sgt. Slaughter main event felt like a bit of a comedown from the Ultimate Challenge a year before, but Randy Savage and The Ultimate Warrior had one of my favorite matches ever, plus you had this little gem opening the show. After getting squashed by the Twin Towers and 1989 and then screwed by The Orient Express a year later, The Rockers finally got a chance to shine, showing off what they could do in an energetic little guys hitting and running against giants exhibition. It was a glimpse of the future, as Shawn Michaels displayed a mere hint of the skills that would later make him Mr. WrestleMania, while Marty Jannetty kept pace and Bobby Heenan’s team was nicely generous in making the David vs. Goliath battle believable.

Bret Hart vs. Owen Hart (WrestleMania X)
Shawn Michaels is far and away my favorite wrestler of all-time (sorry, Christopher Daniels, I’ll await your sad text tomorrow) and I have plenty of love for his Ladder match with Razor Ramon on this show, but at the end of the day, ask me to pick and I’ll take the Hart brothers wrestling clinic every time. It kind of bucks the title and intent of this post to include this here, I suppose, since most people would agree it’s a classic, but on a WrestleMania that had said Ladder match, it generally doesn’t get its due as the match of the night I felt it was. The fluidity of Bret and Owen trading holds and counters as only two guys who grew up and learned their craft in the same place under the same tutor if not side-by-side is a cooler deal for me than any gimmick ever could be. On its own, this would still be an amazing match, especially to a fan like me who digs the “purist” aspect, but it also had one of the best ever angles and storyline builds behind, the optimal pro wrestling brother vs. brother feud (and that’s saying something), to boost it into the stratosphere. No disrespect meant to the Ladder match or those two gents, because I could watch that one all day as well, but this is likely in my all-time top five.

Ahmed Johnson & The Legion of Doom vs. The Nation of Domination (WrestleMania 13)
From one end of the spectrum to the other, there was no science to this one whatsoever, but it was an outstanding brawl during a down period for the WWF. WrestleMania 13 (ick) gets labeled as a one match show for the superb Austin-Hart Submission match with the double turn, but I dug this one as well. Johnson was pretty limited by injuries, the LOD were far past their prime and nobody in the Nation was doing career-best work at this point, but they all went out there and just beat the crap out of each other in the very definition of a garbage match, albeit one that actually worked. Ahmed in his own LOD spikes was a nice touch, as was Hawk actually bringing a kitchen sink to the ring to use as a weapon. If they had ended the Johnson-NOD feud here, Ahmed may have still had a shot to get back over as it was a great blow off.

Kurt Angle vs. Kane (WrestleMania X-8)
This show got sold on Hogan-Rock, with Triple H against Chris Jericho and to a lesser extent Undertaker vs. Ric Flair as well as Steve Austin vs. Scott Hall being somewhat in the mix. Kurt Angle, despite being perhaps the best performer in the company at the time, got left out in the cold with no dance partner, so they threw him in there with Kane to more or less kill time. Diminished expectations aside, it ended up being a nice little hidden highlight, as these two had good chemistry—they had a TV match around the same time that may have been even better than this one—and Kane brought his work boots to keep up with Angle. The story of the match wasn’t so much whether or not Angle could win, but if he could make Kane tap to the ankle lock, and both guys played it perfectly, timing their ebb and flow for maximum suspense; Kane’s best WrestleMania match for sure.

Chris Jericho vs. Christian (WrestleMania XX)
Another fondly remembered match by most, but as it wasn’t for a title, didn’t have a streak on the line and didn’t feature a celebrity or Legend, it does still get lost in the shuffle of the last decade’s WrestleMania highlights. The buildup to this wasn’t just well-done, it demonstrated long-term restraint practically unheard of in 2004 WWE, as the issues between the two former best friends had begun over four months prior, with the great storyline that saw them betting on who could bag Trish Stratus or Lita, then Jericho and Trish developing real feelings for one another, pissing Christian off in the process. These two knew each other well by this stage in their careers, so the match itself was predictably great, but it was Trish’s involvement and phenomenal heel turn that put the icing on the cake.

Batista vs. Umaga (WrestleMania XXIV)
Similar to Kurt Angle in 2002, six years later Batista found himself as the odd man out, with his chief rivals Edge and The Undertaker preoccupied with one another and John Cena, Randy Orton, Triple H and Shawn Michaels all having their WrestleMania dance cards booked. “The Animal” got stuck in an under-promoted Raw vs. SmackDown match with the similarly un-tethered Umaga, and the two preceded to go out and have a sweet power-based match that was hard-hitting, intense, and just the right length. Batista generally seems to rise to the occasion at WrestleMania, as he and Undertaker put on a classic at XXIII in part out of resentment over not getting the main event slot, so the combination of a big time atmosphere and good old fashioned spite made a good motivator for him.

Rey Mysterio vs. Cody Rhodes (WrestleMania XXVII)
This is a pre-emptive strike of sorts, given that this match is only a year old, but WrestleMania XXVII is already looked back at as an underperforming show, which means the more in the rearview it gets, the more Undertaker-Triple H will take on an Austin-Hart at WrestleMania 13 (yick) quality and a decent undercard will get forgotten. Again, a long-ish term feud—Rey put Cody out with a facial injury three months prior that led to his transformation past the Dashing gimmick into his deranged character—and this felt like a big deal despite not being the most anticipated showdown of the night by any means. Rey was a very giving veteran, making Rhodes look good, and Cody seized his opportunity, going over a legend at the biggest show of the year and cementing his place at the top. Also, Rey dressed as Captain America.

Tuesday, March 27, 2012

Art Attack: June 2012's Coolest Covers

-Remember how we all spent years thinking Black Manta looked kind of ridiculous? Like how we all thought Aquaman was lame? The reward for our callous behavior is that Geoff Johns goes out of his way to write Aquaman bad ass and now Ivan Reis puts equal effort into making Manta look kick ass. Snark triumphs again!

-Loosely continuing the "back in the day" theme I've got going here, back in the day when the Phoenix Force was first introduced, guys like Dave Cockrum and John Byrne made it look cool enough, but they only had so many tools at their disposal. Today, with state of the art rendering and coloring techniques, the folks drawing and coloring variations of the Phoenix across AvX get to go all out and ramp this cosmic bad boy up to 11. Alan Davis uses great perspective and shading on Secret Avengers while Jim Cheung just brings the intensity on Avengers Vs. X-Men. Man, I never knew I needed a Phoenix bursting out of Captain America's chest until I saw it, but yeah, needed it.

-I like a lot about that Batman, Inc. cover by Chris Burnham, can't narrow it down. Is that Halo and Looker?

-Words on a cover can easily make things too busy, but Phil Noto really nailed their use on his Buffy cover this month. The placement and the juxtaposition against the image draws me in rather than scaring me away; skills.

-Good month for Buffy covers. That Drusilla one by Georges Jeanty is striking. Great use of white space and moving the action to the bottom of the page.

-Great layers to DC Universe Presents by Ryan Sook. Each bleeds into the next.

-Deadpool #56 by Dave Johnson is my current computer desktop background at work.

-Terry Dodson draws a fantastic Black Cat. I mean, he draws many characters well, but something about this one in particular really brings out his A-game. It's that mischievous smile and the glimmer in her eyes. Glad to see him taking her on again.

-Adam Hughes can draw dudes too.

-That's one crazy wolf by Simon Bisley on the Hellblazer cover.

-Dale Eaglesham doing something very different on Hulk, very outside the box. Cool to see since he's dynamite as a classic super hero artist, but he's a clever designer as well.

-I don't talk enough about Stephanie Hans' Journey Into Mystery covers (tremendous book, by the by). The more characters she puts on, the better. Beautiful colors.

-Jerome Opena and Dean White on Uncanny X-Force are simply a dream team. Rad to see them getting cover duty.

-Chris Samnee, what are you doing on these Wolverine covers? I love it.

ACTION COMICS #10 by Rags Morales
ALABASTER #3 by Greg Ruth
AMAZING SPIDER-MAN #687 by Stefano Caselli
AQUAMAN #10 by Ivan Reis
AVENGERS VS. X-MEN #5 by Jim Cheung
BATMAN, INC. #2 by Chris Burnham
BATWOMAN #10 by J.H. Williams III
BUFFY THE VAMPIRE SLAYER SEASON 9 #10 by Phil Noto
BUFFY THE VAMPIRE SLAYER SEASON 9 #10 variant by Georges Jeanty
BUFFY THE VAMPIRE SLAYER: DRUSILLA #1 by Georges Jeanty
DAREDEVIL #14 by Paolo Rivera
DC UNIVERSE PRESENTS #10 by Ryan Sook
DEADPOOL #56 by Dave Johnson
DEFENDERS #7 by Terry Dodson
DIAL H #2 by Brian Bolland
DOROTHY & THE WIZARD IN OZ #8 by Skottie Young
FAIREST #4 by Adam Hughes
FURY MAX #3 by Dave Johnson
HELLBLAZER #292 by Simon Bisley
HULK #53 by Dale Eaglesham
I, VAMPIRE #10 by Clayton Crain
INCREDIBLE HULK #9 by Michael Komarck
JOURNEY INTO MYSTERY #639 by Stephanie Hans
MORNING GLORIES #21 by Rodin Esquejo
NEW DEADWARDIANS #4 by Ian Culbard
THE PUNISHER #12 by Marco Checchetto
SAGA #4 by Fiona Staples
SCARLET SPIDER #6 by Ryan Stegman
SECRET AVENGERS #28 by Alan Davis
THE SHADE #9 by Tony Harris
SMALLVILLE SEASON 11 #2 by Cat Staggs
STAR WARS: DARTH VADER & THE GHOST PRISON by Dave Wilkins
ULTIMATE COMICS ULTIMATES #12 by Kaare Andrews
UNCANNY X-FORCE #26 by Jerome Opena
UNTOLD TALES OF THE PUNISHER MAX #1 by Roland Boschi
WINTER SOLDIER #6 by Steve Epting
WOLVERINE #308 by Chris Samnee