Thursday, April 22, 2010

Strange Hands

I feel a bit dumb about just how often I say on this blog “I don’t like to promote products from my own company” and then go on to do so, but heck, I guess it’s a good thing I’m so proud of a lot of the stuff people I work with are producing.

So with that said, I will now promote something from my own company because I was really taken aback at how much I dug it and don’t think it’s getting nearly the attention it deserves.

For the last several months, Marvel has been putting out a series of “Super Issues” one-shot specials; each is a 48-pager done all in black and white and made up to look like those old over-sized Hulk and Conan magazines from the 70’s. They’ve got groovy names like Rampaging Wolverine, The Indomitable Iron Man or The Savage Axe of Ares (or Shang-Chi, Master of Kung Fu—because frankly, some things can’t be improved upon). The format for each has been three short traditional comic book stories and then a fourth prose piece with bitchin’ art.

Jody LeHeup, one of the more promising young gun types to strut around the Marvel offices with menacing goatee, is the editor on these bad boys and the kid does a kick ass job assembling top flight talent and producing a really unique look at familiar characters each month in a pulp setting that really makes them shine.

I heard quite a bit of buzz on one of the more recent specials, but kept getting sidetracked from reading it; now, having digested The Mystic Hands of Doctor Strange, I do believe it’s the crown jewel of an already impressive crown.

Not too long ago, I talked about my fringe attachment to Doc Strange and how there’s much potential in the character and his trappings, but he’s such a square peg to fit in the round hole provided by typical monthly super hero comics and the Marvel Universe sometimes. It feels much of the time like Strange is a cool character who creators really want to get, but often fall just short of understanding and throw in the towel.

Well, Jody found some guys who really get Doctor Strange.

The first story is a quirky little think-piece about devil worshippers and the idea that the mentally ill can save the world and why Doctor Strange must stop them by Kieron Gillen and Frazer Irving. From there, Peter Milligan and classic Strange artist Frank Brunner weave a classic Strange yarn about the doc helping a husband literally exorcise the demons of the dead wife her tormented when she was alive. Ted McKeever writes and draws a far-out head trip about the effects of alcohol on a Sorcerer Supreme and the need for calm clarity over unfocused rage when fighting monsters. Finally, Mike Carey closes things out with a prose piece on a young Strange’s first magical duel in the Dark Dimension with Marcos Martin providing illustrations.

For years I’ve thought Mike Carey would be the perfect writer for Doctor Strange. Upon reflection, Kieron Gillen and Peter Milligan are equally excellent choices. Then you’ve got Frazer Irving, who was born to draw stuff like this and do it dang well, plus Frank Brunner and Marcos Martin, who have already proven they’ve mastered the mystic arts in their own way. Finally, I’m not as familiar with Ted McKeever as I’d like to be, but wow, that fella can jam!

Beyond Jody’s brilliant job of creator selection, though, it occurs to me that Doctor Strange is just such a perfect character for this type of format, and by the same token this very different presentation may be just what the character has needed for so long. Doc’s a cool guest star and occasional dues ex machina in the Marvel Universe proper, but his best solo stuff really seems to come when it’s a step removed from who Spider-Man or the Avengers are fighting. I’m not saying Strange can’t work in a book like New Avengers, but much in the way it’s nice to have a MAX Punisher book in addition to the one set in regular continuity, this is a character that could really benefit from his own off-to-the-side book.

And to be honest I really kinda love the idea of Doctor Strange short stories on a regular basis that don’t have any connection or set time frame. Not everybody may have a good long-term take on the guy, but I bet a lot of folks have that one good story they’ve been dying to tell (and certainly I wouldn’t mind seeing the guys who worked on this particular special do an encore or 50). Strange also works so well as a Cryptkeeper or Cain type who can be the narrator or gateway to this ghoulish tales we don’t get a good look at otherwise.

Anyways, I’d certainly encourage you all to check out The Mystic Hands of Doctor Strange whether you’re a fan of the character or not and also pick up whatever other Super Issues you find as they’re really pretty cool.

And Jody, when it comes time for The Heroic Helmet of Nova or Stalking Werewolf By Night, you remember who talked up your books, buddy.

Wednesday, April 21, 2010

C2E2: What I Bought!

So, I knocked out my general thoughts on the show as a whole over here, but I bet you're wondering what kind of crap I bought at the show, right? No? Oh.

Here it is anyways:


What I got at Quimby's

SPELLBOUND? - Oh man! I had this issue as a kid, and it was one of those things always kind of rattling around in the back of my memory until I found a copy at Quimby's!! A large format Chick Tract extreme religion comic, this book involves devil-worshipers driving some party-goers off a cliff and someone drowning in a pool at a crazy cocaine party! I HAVE NO IDEA WHY I HAD THIS AS A KID. Seriously, this is like finding a long-lost video of me in the 4th grade.

THE BROKEN CROSS - Another Chick Tract comic, this issue never belonged in my collection, but thanks to an "Also Available" ad on the back of Spellbound?, I always wanted to check this sucker out. Thankfully, there was a copy on the shelf at Quimby's and it LOOKS like some hippies pick up a hitching girl and then drug/sacrifice here for Satan. Like you do. Great Gene Colan-esque '70s art, these feel SO MUCH like a Benjamin Marra comic.

STORIES VOL. 2 BY MARTIN CENDREDA - I had no idea there was a new minicomic from Martin Cendreda! I get so used to debuts at certain shows I go to that I forget to check out the blogs of creators I like in case they have new work available. Cendreda - like dudes like Graham Annable and Jeffrey Brown - are guys I'll buy ANYTHING new from.

QUIMBY'S STICKERS - I grabbed a couple.


Convention back-issues

SPAWN #16-18 - Did you know Grant Morrison wrote 3 issues of Spawn in 1993? I didn't! Until Kiel schooled me at his apartment on Saturday night. He also told me these were the first issues to contain Greg Capullo art and that Grant invented the Anti-Spawn concept, which tickles me and seems very Grant-like for some reason. PSYCHED to read these!

SPAWN #20 - This was the issue co-starring Houdini that came out after issue #25. Or something. I'm not sure, but it was a quarter, so I grabbed it.

B.P.R.D. - I'm missing a few issues here and there, so I remembered to look for them at the show. MAYBE my favorite mainstream comic to read in chunks? Probably.


More 25-cent con comics

CAPTAIN AMERICA #373-374 - I'm making it a goal to buy all of the Cap storyline "Streets of Poison" this con season. More on this when I finish finding it all...

CLIVE BARKER'S SEDUTH - Sean swears this 3-D book is a good read, and I trust Sean. I also like Clive Barker.

JLA: SUPERPOWER - John Arcudi of B.P.R.D. and Major Bummer and The Mask and many other books I enjoy did this prestige format JLA book a few years ago!

FINAL CRISIS: SUPERMAN BEYOND #1 - Going through my books, I realized I let somebody borrow my original issue #1 somewhere along the line and never got it back. 3-D comics!

JUSTICE LEAGUE OF AMERICA #208 - I've slowly been collecting this 5-part "Crisis on Earth-Prime" crossover starring the JLA, Justice Society and All-Star Squadron for a couple years now, but I'm still an issue away from having it all.

JUSTICE LEAGUE OF AMERICA #210 - I have no idea what this issue's about, but the cover says "When A World Dies Screaming!" so SHIT YES.

NEW KIDS ON THE BLOCK: CHILLIN' #1 - Look at the cover, you jealous monkey.


More 25-cent con comics

CAPTAIN AMERICA #286-288 - This Deathlok-centric run is near-and-dear in a way I'm never gonna reveal (unless I get really drunk one night and sob-y), and I found it by accident while waiting for a guy to finish flipping through a longbox. DEATHLOK.

VALOR #18 - Finally! The final issue of the "D.O.A." storyline! I've been looking so long!

JLA/CYBERFORCE #1 - Joe Kelly and Doug Mahnke! I've never read a Cyberforce comic, so I hope this doesn't hurt.

JLA: 80-PAGE GIANT #2 - I grabbed this cause of the DC One Million story inside and when I got it home I realized I already own it. Still: pretty cover.


Non-quarter comics!

INVINCIBLE RETURNS #1 - Some guy was selling recent issues for a buck, and since I was planning on buying this anyways: savings!

WOLVERINE: WEAPON X #12 - Same as above. This time: More Deathlok!!!

DRAWN TO YOU - I missed all of Lucy Knisley's comics at MoCCA, so I was slobber-happy to hear from my new buddy Matthew that she was at C2E2. This was the first stuff I bought at the show and Drawn To You is her convo comic with Erika Moen.

PRETTY LITTLE BOOK - A full-color collection of Lucy's online journal comics in a neat printing style that feels "raised" like the black inks have been branded in.

MAKE YOURSELF HAPPY - ANOTHER collection of journal comics from Lucy with a positive intro explaining the title of the book. GAWD, go now and buy her stuff.

CURSED PIRATE GIRL #3 - Wandering the floor, I ran into a table for Jeremy Bastian, the creator of the GORGEOUS Cursed Pirate Girl series. Maybe it's because I had such a hard time tracking down issues #1 and #2 or maybe it's cause I thought Bastian was some hermit artist whose meticulously crafted work demanded he remain locked away in some wooden cabin on a cliff somewhere, but I never expected to ever ever meet him in person, much less chat with him for a while. Bastian's a totally nice guy just making comics I wish more people cared about. Go buy them!

UNDELETED SCENES - I totally almost forgot to grab this new Top Shelf collection of Jeffrey Brown's miscellany anthology work while I was at the show, but remembered just in the nick of time to get it AND get him to sign it. Well, Sam did for me cause I couldn't leave the booth. She's awesome.

PROCESS - Jeffrey Brown made this mini about what the process of creation is like for him and it's PROBABLY the coolest mini I own thanks to the little torn-out sketchbook pieces and notes and doodles and other ephemera he includes as one-of-a-kind extras in each packaged copy. It's a pretty genius way to provide a behind-the-scenes look at the creative process of a dude who makes some of the world's most thoughtful comics.


And then these dope pins!

A random retailer was selling these babies. Rorschach, Watchmen smiley, Black Flash, Starman, B.P.R.D., and Captain Atom can now adorn my backpack and my thumb since I suck at picking them up without stabbing myself.

And that's it! I didn't get any sketches and couldn't find any cheap toys, but I got a lotta great books. I wish I'd hit the webcomic section a little harder, but it's okay. All-in-all, I found some great deals. Can't wait for the next show's treasure hunt.

Tuesday, April 20, 2010

21 Reasons C2E2 Was My Favorite Big Show In A Long Time

First of all: Holy SHIT. The C2E2 show was this past weekend in downtown Chicago, and, for me, it was incredible. I saw 21 people I consider genuine friends at the thing, so in honor of them, I'm listing out the 21 things I loved about the show. Here goes, in no particular order:

1. IT WAS DOWNTOWN - I've been to Wizard World Chicago maybe 8 times in my life, and as the first show I've ever been to, it'll always hold a special place in my heart. But the thing is in Rosemont - a northern suburb - and I only ever took the 30-minute drive downtown ONCE. With C2E2 located a 5-minute cab ride from downtown proper, it meant we had more access to GREAT food, bars, ridiculous site-seeing and more.

2. FOOOOOOD - We hit so many great restaurants all weekend, I kind of can't believe I didn't gain 40 pounds at the show. We popped by the Sweet Water tavern for fried mac and cheese and a wide beer selection, Texas de Brazil for the most succulent Brazilian BBQ I've ever stuffed my face with, Portillo's for a hotdog AND an Italian beef croissant, and SOOO much more! Best con food and selection I've ever had.



3. ROCK 'N' ROLL MCDONALDS - I stumbled past the famous Wesley Willis institute one night. See above.

4. MY GIRLFRIEND ATTENDED - It feels WONDERFUL to be at a place financially in my life where I can have my girlfriend Sam visit a show with me in a new place. She flew up Saturday and we had a great time wandering the city together.


5. MIKE PERKINS - I got nothing here. Mike Perkins is just a fucking rad guy, and I can't get enough of him and his work. LOOK AT THIS RIGHT NOW.

6. PEPTO BISMOL - All the food and irregular sleep and con hours and beer did a number on my tummy. Thanks for bein' a friend, Pepto!

7. THE DC STAFF - DC Comics represented with some amazing giveaways and an awesome attitude from all the staffers working this weekend! It was great to get to spend more time outside the office with my peers, so thanks to the whole booth staff for being so cool and polite and fun alllll weekend long! I want to marry you all.

8. PIZZA PARTY - Speaking of DC people being rad, we had a "thank you" pizza party for the booth grunts at the end of the show and we all got along great, talking crap about terrific '80s films and playing with our boss's iPad. I'm kidding. He didn't let us touch it.

9. AMAZING GUESTS/EXHIBITORS/RETAILERS - What a terrific concentration of quality guests, exhibitors and retailers! C2E2 hauled in all the big mainstream publishers (DC, Marvel, Image, Dark Horse, IDW) along with top-notch creators from each including damn-near the entire Green Lantern franchise creative team, a slew of great Marvel creators, dudes like David Finch and Mike Mignola and Guy Davis and a GIANT webcomics presence PLUS smaller publishers like Top Shelf and Avatar. And with retailers ALL OVER sporting quarter bins and 1/2-off trades from day one, not to mention recent books marked down and dollar-bins out the banana, this was a primo show for finding a deal or a book you've been searching for. I didn't hit any panels, so I can't speak to that, but MAN, what a combo of fun.



10. ARCHITECTURE - I'm not sure I've ever seen a city as beautiful as Chicago when it comes to layout and buildings. Downtown, the buildings are a mix of glass and metal next door to classical brick and mortar. Some even combine the two for a nu-classical style all while sitting right next to Lake Michigan, a sprawling city park, a serious public transit rail with its girder support-beam legs clomping down side avenues (see above), and a spread-out feel I've never seen before. The city is dripping with a character I wish I was close friends with, and that's a fact that extends out to neighborhoods like Wicker Park's East Village feel and Wrigleyville's frat-powered bar scene. I wanna live here!

11. L TRAIN - Chicago's public transit rail system is cleaner than the NYC subways and feels more safe. I took the line all the way from the airport to downtown instead of a boring cab and didn't smell pee once.



12. BILLY GOAT TAVERN AND GRILL - Located underground between the Chicago Sun-Times and the Chicago Tribune, this bar and grill was frequented by Bill Murray and John Belushi and is the basis of a famous SNL sketch I won't go into right now. As an SNL fan, I'm psyched to have had the chance to visit it with a crew of fun friends. Read more here!

13. BOAT TOUR! - The Monday after the show ended, I stuck around with 4 friends to walk the city, so we took a boat tour of the city's skyline from the Navy Pier!

14. QUIMBY'S BOOKSTORE - I dunno when it started, but I've wanted to go to Quimby's Bookstore for an awful long time and finally got the chance this weekend. Alt/lit-minded and boasting a ton of mini-comics, the shop is located in Wicker Park, which is just a 10-minute cab ride away from downtown. There are MAYBE 5 comic shop destinations I've ever had, and this was one of them. Time to check it off my Bucket List!

15. DOUG MAHNKE ART FOR SALE - You're a psycho if you don't like Doug Mahnke's art and the guy had a BUNCH of it on sale at the show this weekend! Final Crisis, Green Lantern, JLA/Cyberforce, The Mask, Major Bummer, Lobo vs. Hitman...the guy's fucking awesome. I ALMOST grabbed a page from Frankenstein, but decided against it and now regret that. But the dealer gave me his email, so I plan on finding a piece THIS WEEK!



16. MY FRIEND KIEL - You'd be LUCKY if you had a friend like my BFF Kiel in your life. The guy (who now calls Chicago home) waited for me in a car nearby to finish a work dinner one night before driving me to a party. The next night, he took me to a local eatery to meet up with his rad girlfriend Jamie before paying for my (and several other's) train ride to his local comic shop where IDW was having a party with beer (beer in a comic shop? Dangerous for me...) before heading to his apartment where he gave us his last few beers. Then he DROVE US BACK TO THE HOTEL. i love you, Kiel.

17. DC SHIRTS - The DC staffers who work the booth all wear matching DC shirts and this year I got a Brightest Day shirt and a Reverse Flash shirt from Graphitti Designs! WOOOOOOO!

18. LAID-BACK VIBE - I dunno if it's just Chicago or the time of year or what, but the attendees were all really nice and laid-back folks who were just happy to be buying comics. Friday through Sunday felt slow and easy, but steady. I heard someone say Chicago was a blue-collar town and that's why Friday afternoon may have felt so lite - the people couldn't take the mid-day off. But that doesn't mean they weren't polite and fun and their easy-going vibe is much-appreciated!

19. FRIENDS! - I can't explain how great it was to see Dylan and Kelly, Mel!, Jeffrey, Parr and CJ, Ryan, Alejandro, Jim and Michael, Adam S., Mike, Chris, C.B., Kiel and Jamie, Kevin, Warmoth, Jonah!, Tony, Josh, Caleb, Tim, Mike D., Mike S., Eric, and Brendan. High-five, everybody!

20. NEW FRIENDS! - So, I met a bunch of my older friends around the show, but the new people I met were awesome, too! Thanks for taking the time to chat Scott, Guiseppe, Allesandro, Brian and Jill, and Michael. You guys are DOPE and it's cool to have nice people to break up the show with.

21. ALL THE GREAT CRAP I BOUGHT - I'll post another story about this soooon!

So, thanks, C2E2! If I can't fly out for you next year through work, I'll still be there on my own dime. You win.

Monday, April 19, 2010

Brighter-est Day

Last week DC’s 26-issue bi-weekly Brightest Day series kicked off, and I for one am definitely hooked by the promise of what’s to come and psyched to see some characters I really dig—I’m a huge Martian Manhunter mark and have a soft spot for Captain Boomerang—and others who have some real promise—in regards to the new Deadman status quo, in the words of my friend Sean T. Collins, “sure, I’ll eat it”—get up to some action and adventure while we get a further exploration of the ever-expanding mythology that kicked into high gear during Blackest Night.

And of course at the center of it all is the dozen resurrected folks all the mysteries are swirling around.

Now, far be it from me to critique the likes of Geoff Johns and Peter Tomasi (whom I once, in his presence, referred to as “the Alan Moore of editors” for his fine work on the superlative Light Brigade series and also because Steve Wacker was in the room and I wanted to make him feel bad), but I daresay there are a few other DC characters I think could have been neat to bring back via Brightest Day.

Of course I’m not saying my picks would necessarily and without question enhance a story I think is already off to a dope start—I trust Geoff and Pete a great deal in their choices and dig that they didn’t go the easy route of bringing back somebody like Blue Beetle who had such a significant send-off—but I’ll go ahead and put my money where my mouth is (no actual money will be put anywhere)…

JONATHAN KENT
Superman’s adoptive old man had a pretty memorable send-off a couple years back at the hands of Brainiac, but I gotta be honest, events have been so fast and furious in the time since that I think Pa Kent’s demise got the short shrift. I think there’s something to be said for taking a mulligan on this one and resetting the status quo, but not exactly as it was before.

One of the knocks against Superman has always been that he has so few weaknesses, but giving him back the father he lost with the full knowledge he could lose him again at any time certainly adds a new element of vulnerability to the Man of Steel. And what’s it like for Martha Kent to have her husband back after making peace with his passing? Despite their super son and his own resurrection, the Kents are salt-of-the-earth folks who I have to think figure “dead means dead” particularly for the ordinary likes of them.

And then of course there’s Jonathan himself; people like Hawkman and Jade at least have enough experience with the bizarre and extraordinary that coming back from the dead may be just another day at the office to some degree, but Pa’s just a farmer who had his ticket punched and now against all he likely believes in, he’s back—what’s that like? I think there’s merit to the dozen characters brought back to all be super-powered heroes and villains, but if you’re going to include a supporting character, this is the guy I’d go with.

End of the day, you’re going to get one of two outcomes I think have potential: Superman has to say goodbye to his dad once more and this time it can really pack an emotional wallop, or Pa Kent is back but with a new outlook on mortality that adds dimension to a tenured character.

THE TRICKSTER
I’ve spoken before about how highly I regard the Underworld Unleashed story by Mark Waid and Howard Porter, and in particular the handling of The Trickster who outwitted the devil and came out the unlikeliest of heroes. Unfortunately he never really found his niche in the DC Universe after that and ended up lapsing back into villainy before kinda going out like a chump.

I’d love to see James Jesse brought back with a new lease on life and become something of a wildcard who could go either way down the path to either good or evil. The battle for the soul of The Trickster is a story that could get some solid mileage either in the pages of Brightest Day, the new Flash book or elsewhere. Obviously the Rogues would want Jesse back, but they’re the guys who let him die. Wally West was a guy who always believed I the reformed Trickster and trying to get him to stick on the straight and narrow could give that particular Flash something to do while his kids are in daycare.

And how does Neron figure in? This is, after all, the mere mortal who ruined his plans not once but twice. And hey, who’s to say The Trickster didn’t end up under Neron’s dominion during his time among the dead and now he found a way to escape? Now there’s a story to be told. How desperate would Jesse be not to go back?

Personally I’d love to see The Trickster’s tale end with him as a shades of grey type hero who you can’t quite trust, but regardless of the destination, the journey has loads of potential.

VYKIN
The New Gods are off the table at the moment and as “dead” as gods can be; I’m sure there are long-term plans in place for the characters, but assuming Grant Morrison or whomever will be shepherding that saga can spare one, I’d be very interested to see what happens to one New God, alone on a world where his race is basically extinct.

To expand on that, I’ve always wanted to see one of the Forever People on their own given how tied to the concept of being a group and depending on one another they’ve always been. Since Vykin is the most introverted and yet curious of the crew, he’d be my pick to be the “wandering New God.” How does a god cope with death and resurrection? Does he become a hero? Does he become a figure of worship? Who tries to exploit him? Who tries to help the stranger in a strange land?

I’d like to find out.

MAXIMA
One of my less-inspired picks, admittedly, but there’s a dearth of good Superman villains as well as good female villains in general when it comes to DC, and Maxima was one I always had affection for. Her modus operandi was a unique one and her semi-failed tenure with the Justice League gives her far more depth than your typical cackling would-be-world conqueror.

With Maxima, I’m not so much looking at the short-term returns on the part she could play in Brightest Day, but rather the long view on what a great foil she could be for Supes or maybe Wonder Woman or even the JLA.

KARATE KID
With Vykin, you’ve got the guy away from his people and home, but with Karate Kid, you’ve got the always cool “man out of time” routine. Additionally, I don’t think we ever got the full scoop of how exactly Val Armorr got over his first death—if it still happened in our continuity—so he’s already got a unique relationship with mortality.

Honestly though, Karate Kid is just awesome and should be on the Justice League.

Saturday, April 17, 2010

C2E2 Is Here!

The first ever Chicago Comics & Entertainment Expo--or C2E2 as the kidz call it--is currently underway in the Windy City and we're pretty darn psyched about it. Rickey and Kiel are both on site partying it up while I'm following intently from tropic New Jersey.

Just a reminder that you can follow all the C2E2 action on Comic Book Resources, Marvel.com and The Source, as news about neat stuff like Ed Brubaker & Dale Eaglesham's Steve Rogers: Super-Soldier (pictured above) and Roger Langridge & Chris Samnee's Thor: The Mighty Avenger (pictured below) is already breaking.

Have a great weekend, folks! Comics!

Thursday, April 15, 2010

Pimping Our Stuff: We Are the LAW

You know the old saying "quality over quantity"? That's kinda our unofficial motto over at We Are the LAW (or it is now because I just came up with it and haven't told anybody yet--cool, right guys?).

For those of you not aware, We Are the LAW is a sketchblog those of us here share with buddies of ours like T.J. Dietsch, Zach Oat, Matt Powell, Sean T. Collins and other luminaries. We're not really any of us artists--though some of those cats sure can doodle--but we love to have fun, and hopefully it shows in the stuff we put out there.

The deal is every so often one of us will throw out a random ass character or concept, then we all give it a go. We've done our own characters, like Sean's Destructor, and themes, like Batman through time. Most recently, we tackled Captain Caveman, including Rickey and myself (his and my sketches respectively below).So anyhow, when you've got a free minute, go plant a tree...then maybe check out We Are the LAW.

Wednesday, April 14, 2010

Five Comics Worth Reading - April 2010

Every now and again I read a comic and am just like “Wow, this book is sick,” but don’t always have more than a few sentences to say about it, let alone a whole post. To that end, with no ambitions whatsoever of any sort of regular schedule, I use this recurring feature babble about books I’m really digging.

Books like these.

THE BOYS
From Preacher to Hitman to Punisher, Garth Ennis does his best work when he uses over-the-top violence, gore, and crude trappings to mask the fact that he’s actually telling a story with a lot of heart. Yeah, his stuff is funny and gross and often ridiculous, but his characters are some of the most sincere you’ll find and the guy can write dialogue that will well up your eyes when he wants to.

Back when The Boys first started, I thought it might be Ennis taking a break from the serious stuff to go full-bore in surface mode, telling the nastiest super hero parody he could, and truth be told I would have been ok with that; it was still a good monthly laugh and Darick Robertson’s art is just gorgeous. But over time after some growing pains, The Boys has revealed itself as being—surprise surprise—a book with a lot of heart about characters with tremendous depth and an intriguing world in which everybody is playing everybody…with a healthy dose of super-powered sex jokes padding the panels.

The recent run of one-off “origin” issues for the oft-neglected characters of Mother’s Milk, The Frenchman and The Female was great, ballsy stuff, with Ennis going to the well and coming up with back-stories rooted in classic tropes yet spinning in entirely new directions. The latest arc, in which Butcher has come to suspect something’s up with Hughie—for my money one of comics’ most likable characters with a fantastically Ennis romance—and sends him to do recon on a socially-stunted Legion of Super-Heroes pastiche is shaping up to be more of the goodness.

And seriously: Darick Robertson is amazing.

HOUSE OF MYSTERY
Rickey and I have talked up House of Mystery quite a bit in private over the past couple years, though I’m not sure how often we’ve plugged it here on the blog—well, better late than never I suppose.

It’s a really cool book for many reasons, not the least of which is that it pays off on the potential for a format I and many of my fellows have often seen in an underexploited genre, that being the anthology book. No, it’s not a traditional multi-story anthology and there’s a pretty heady main plot threading through the series, but the idea that every month you can get a cool short horror-tinged story by the likes of Sam Kieth or Farel Dalrymple (to name a couple recent contributors) is just a neat and special thing. The conceit of these stories coming out of the book’s set-up wherein patrons at the bar around which it’s centered must pay their tab in tales is also quite an ingenious one if I do say so (I do).

But the short story icing aside, Matt Sturges has really weaved a delicious cake of—wait for it—mystery in the main narrative. The recent direction semi-change of rotation in and out of certain cast members really shook things up in the right way, as the old guard are not forgotten nor are their unanswered questions, but we’ve also got new faces and conundrums creeping up, headed up by heroine fig’s creepy and possibly homicidal brother Strawberry. It’s a smart book as you’d expect from its pedigree, but certainly not too dense for any old joe to dive right in.

JUSTICE SOCIETY OF AMERICA
Like many others, I was a bit concerned when Geoff Johns ended his landmark run on JSA and fearful that whoever took over would not be able to nail that elusive formula that makes a book centered around 70-year old characters and certainly lacking a certain sexiness still work in this age of super hero comics. I think it took Bill Willingham awhile to ease his way in, but he seems to be hitting on the right cylinders now.

Halving the book’s cast was a good move, since fifty percent of the JSA is still bigger than pretty much any other team excepting the Legion, and Willingham wisely assembled a team consisting primarily of characters whose voices he can nail. Whether it’s the stoicism of Alan Scott, the gruffness of Wildcat, the perkiness of Liberty Belle or that in-over-my-head terror Doctor Fate exudes, Willingham knows his players and their quirks and how the group dynamic should work.

The story arc with Mordru was a nice bit of fun, and now the current multi-parter in which the team is fighting across two eras to prevent new age Nazis from taking over the world is shaping up as quite the sizable epic. The peril feels quite real and the action is well-choreographed. With the focus more on Mister Terrific with a dash of folks like Doctor Mid-Nite and Lightning thrown in, Willingham is also moving the camera around nicely, which is a necessity on a book like this.

Jesus Merino has come into his own as well, still clearly influenced by his years of inking Carlos Pacheco but not shackled by it; he draws real pretty.

WOLVERINE: WEAPON X
When Jason Aaron is on his game with Wolverine, I’m not sure I’ve seen more than one or two other writers who make the character more enjoyable to follow.

I was re-reading the recent standalone issue about Logan’s love life a few nights ago and found myself smirking with every page at how fun Aaron makes this guy who has been a perennially put-upon and tortured character for so long and so often. Yeah, the angst is certainly still there in Weapon X, but this Wolverine is more a guy with some crazy war stories to tell but whose charisma and wit draws you to him, as opposed to the depressing guy wallowing in the corner of the bar.

Aaron also helps his case by never taking Wolverine too seriously, or letting the character do so either. Self-conscious sequences of the writer poking fun at how his charge seems to be a dozen places at once or scenes where Logan is getting a sex talk from Jubilee and especially Wolvie asking to hold Luke Cage and Jessica Jones’ baby make the crazy ass battle sequences where this guy is tearing people apart with his claws so much more effective via contrast.

But the current arc with an army of Deathloks coming back from the future to hunt down a master list of super heroes so they can rule their own time period Terminator style is just a whole other step beyond.

It’s hard to really encapsulate what makes this story so darn fantastic, but it illustrates that Jason Aaron is perhaps without peer when it comes to visualizing the craziest big picture concepts ever and then actually following through with them. He did it on Ghost Rider with stuff like Johnny Blaze storming the gates of heaven on a motorcycle and challenging the baddest angel in the land an issue or two after fighting a possessed steam shovel and he does it here with an army of cyborg killing machines coming back in time to kill people we’ve never heard of because their kid will grow up to be a legendary hero. The time jumps, the continuity winks, and the way he handles new and old characters just so darn well in the midst of unparalleled craziness is just a masterful thing and a joy to see unfold.

X-FACTOR FOREVER
As somebody who never had any emotional attachment to Louise Simonson’s run on X-Factor from when I was like eight and no particular fondness for the original X-Men outside of a tough-to-quantify fandom for Iceman, this was the last book I was expecting to get into.

But it’s really a good read.

My hat is off (or it would be if I were wearing one) to Ms. Simonson for being able to analyze her work of two decades ago and re-imagine it for a modern day audience without it feeling stagnant or at the other extreme dragging it kicking and screaming on a forced migration into the 21st century just by sticking iPods in the characters’ hands. She has instead pulled off perfectly the act of balancing nostalgia with a knowing awareness of how storytelling conventions have evolved and created a comic that reads like a fun super hero book from a simpler time without coming off stale or pedantic; this I imagine can’t be an easy thing to do.

As an X-Men junkie, I love the feel of the story wherein Apocalypse has grand designs involving destiny and whatnot we’re only getting the tip of, but I’d imagine somebody picking the book up cold could also just appreciate the idea of characters with neat costumes and cool powers fighting a giant robot across New York City. The book has thus far succeeded in both servicing those of us looking for a trip back to the elaborate X-Men mythos of yesteryear while also being new reader-friendly.

Simonson also just writes a great Apocalypse, and her re-imagining his full history in the back-up is a great bonus.

Dan Panosian really brought his A-game as well, and has clearly worked to keep growing his craft from his Image days back in the 90’s. His design skill for the aforementioned costumes is spot-on and the guy can do a fight scene like wow.