The Cool Kids Table: 2013

Thursday, October 31, 2013

The Adventures of Kiel and Jami

Hey, gang! It's Halloween, but I doubt we'll be doing a big costume post this year since Jami and I are going as "exhausted bride and groom."

That's right, we finally tied the knot last weekend, so I figured my last celebration of the insane week that's been would be to share a bad ass comic that the great Joe Hunter drew for our big day. It's even got some Halloween stuff in it! Check the whole thing out on my personal blog, and we'll be back next year dressed up as some kind of teenage robots or something.

Saturday, August 31, 2013

The History of the X-Men in August

UNCANNY X-MEN #499 (2008)

The finale of Ed Brubaker and Mike Choi’s “Divided We Fall” arc, wherein Cyclops and Emma Frost overthrow Mastermind’s hippie regime in San Francisco while Wolverine, Colossus and Nightcrawler beat up Omega Red in Russia. The big event to come out of this story as it headed into issue #500 though had to be Cyclops’ decision to move the X-Men permanently (for the time being) to San Francisco. I remember in meetings I sat in at the time Marvel higher ups noting this would be a major switch to establish more of a presence in the California of the Marvel Universe, with the Runaways, the Order and the Eternals already hanging around there. Obviously there had been Marvel series set outside of New York City prior to this from West Coast Avengers to Iron Man and Daredevil’s own California stints to Thor in Oklahoma to the X-Men themselves operating out of Australia, but this seemed bigger. The change would not only stick for quite some time, it also perhaps indirectly inspired more Marvel heroes to branch out, from Scarlet Spider in Houston to Venom in Philadelphia to the new Nova in Arizona. I’ve always dug this concept and still eagerly await somebody setting up shop in Boston; I’ll even take Quasar.

UNCANNY X-MEN #425-426 (2003)

As I’ve gone along in this little chronicle of history, I’ve noted how Chuck Austen’s tenure writing the X-Men started off well enough—I think his initial issues still stand up today—but quickly became divisive as he seemed to lose his focus somewhat and veer heavily into soap opera at the expense of logic. Despite the previous sentence describing so many works of fiction I love, he lost me around this two-parter, “The Sacred Vows.” It’s the wedding of Havok—who secretly loves Annie, the human nurse who cared for him during his coma who’s currently with Iceman who still has feelings for Polaris—and Polaris—who went crazy after surviving the destruction of Genosha and confirming Magneto to be her father. Havok decides mid-ceremony to reveal he reciprocates Annie’s feelings, leading Polaris to create a whacked out half-Bridezilla/half-Magneto costume with garters and attack everybody with silverware and such until Juggernaut stops her. Annie had worn out her welcome, feeling more and more like a character nobody but her creator wanted to push, and established favorites like Iceman and Polaris getting more and more off center started to make the book a bit hard to swallow.

UNCANNY X-MEN #358 (1998)

I’ve not sure if I’ve read this issue or not. It took place during my hiatus from comics, and while I’ve made great efforts to fill in the gaps of my Uncanny X-Men collection in particular since, I think this one slipped through the cracks. It’s a spotlight on Bishop and Deathbird, who had been stranded in outer space together and become sort of a couple, fighting aliens. Again, I missed this romantic pairing and have only ever seen them when they briefly interacted during “The Twelve” and then in an alternate timeline after a fashion via their daughter in X-Men: The End, but it intrigues me, as it seems like a case of throwing two darts at a wall full of random X-characters, but there’s that uncompromising warrior aspect to both that actually makes some sense as far as chemistry.

UNCANNY X-MEN #303 (1993)

I kind of hope Brett White doesn’t read the blog anymore—does anybody read this blog anymore?—because he might lose it here, but I’ve never read this issue, which I know ranks among his all-time favorites. It’s weird, because I have everything from X-Cutioner’s Song to Uncanny X-Men #299, then I strangely skipped out on #300—I remember reading it cover to cover in a Walden Books or something and then not buying it—as well as the three subsequent issues before coming back for good with #304 and Fatal Attractions. I know people revere this particular story as among Scott Lobdell’s finest work with the death of Illyana Rasputin and Jubilee having to cope with it before anybody else, but yeah, never read it; forgive me, Brett.

UNCANNY X-MEN #232 (1988)

Man, I am blowing it this month, because I don’t believe I’ve read this story either. Between Essentials, trades and single issues, I’ve got pretty much everything up to Fall of the Mutants, then I fall off for a year or so, and pick back up with Inferno; this falls right in that hole. Anyway, it’s a Brood story, which always both delight and terrify me, and perhaps of more note it’s got Marc Silvestri art, which seems perfect. Silvestri has a rep for drawing a lot of robots and futuristic tech—he did create Cyberforce—as well as attractive ladies, but he’s also got a really intense knack for horror, as you can see in Witchblade and elsewhere, so judging by that and this cover, I gather he does well with the Brood; I’ll make a note to seek this one out, through the office Essentials copy if nothing else.

UNCANNY X-MEN #172 (1983)

Superb issue in the midst of a superb run by Chris Claremont and Paul Smith. The story picks up directly from Claremont and Frank Miller’s seminal Wolverine limited series—in part the basis for this year’s “The Wolverine” film, though the movie incorporates many elements from this story as well—as the X-Men come to Japan for the wedding of Logan and Mariko. You get everything in short order, with some genuinely heartwarming moments of congratulations to Wolverine from his “family,” the continuing tension of Rogue being on the team, and then action aplenty with Silver Samurai and Viper striking, plus Yukio from the aforementioned limited series making her return; Smith draws it all beautifully, making warm smiles from Nightcrawler and Kitty Pryde come to life as readily as crazy ninja fights. Viper manages to poison Colossus, Kitty and Nightcrawler while Samurai threatens Mariko, leading to the equally awesome next installment in Uncanny X-Men #173 where Wolverine has to put aside his mistrust of Rogue to protect his fiancée while Storm’s adventure with Yukio ends up having intense ramifications on her character; classic stuff that you need to check out if you never have.

UNCANNY X-MEN #112 (1978)

The second battle between Magneto and the All-New, All-Different X-Men, with a lot of weird elements framing the story, from Mesmero having previously brainwashed our heroes into thinking they were circus performers to the introduction of one of Marvel’s all-time weirdest characters, Nanny, the mothering robot who wants to turn all adults into children so she can take care of them. Chris Claremont uses the story to reinforce that despite all the X-Men have been through to date—fighting the Sentinels, the original Phoenix saga, etc.—they’ve still yet to really gel as a team as opposed to a grouping of disparate personalities, and Magneto utilizes their lack of cohesion to knock them down one by one. John Byrne also quickly emerges from right out of Dave Cockrum’s shadow to make the book his own artistically.

Saturday, August 24, 2013

Art Attack: October 2013's Coolest Covers

-When I was a little kid, my family went to see "The Little Mermaid" in theaters, and I'll never ever forget my mother--an artist herself--leaning over to me during one of the underwater sequences and noting "An animator had to draw every one of those bubbles every time anything or anybody moved; that's incredible." Paul Pelletier's Aquaman cover reminds me of that story, but I also think his smooth style and use of shadows makes him a perfect match for this character. And who did those colors? Beautiful.

-Avengers #21 by Leinil Yu is my desktop background at work right now. Seriously, how long has Leinil been a top-level guy and yet he's still taking it to another level every month, particularly with these Infinity covers.

-Darwyn Cooke drawing Batwing is the LAST thing I expected to see, but hey, cool!

-Are those teeth coming out of Bloodhound's knuckles? Gross. Also, I never read Bloodhound the first time around, any recommendations for or against?

-If you haven't heard the awesome story behind the cover for Daredevil #32--which I got to hear twice at SDCC, both when Chris Samnee was on a panel with Mark Waid and again when he came on Marvel Live with us--here's the short version: editor Steve Wacker and Waid told Samnee to come up with a Halloween-themed cover planning to base the story around what he drew, Samnee drew DD with the Legion of Monsters, and now Waid has to come up with some sort of story guest-starring Werewolf by Night and the Living Mummy. I love that story, I love the Legion of Monsters, I love Chris Samnee and thus I really love this cover.

-Declan Shalvey's Deadpool cover is an example of how you can use simple shapes to make an impact. Also an example of why it's nice to have Jordie Bellaire coloring you.

-Great covers from Francesco Francavilla on Avengers Arena and Fantomex MAX this month, giving sci fi a pulp feel.

-That Fearless Defenders cover by Mark Brooks has been making me smile for weeks and I've never even seen Step Up.

-I said a couple months back that Indestructible Hulk cover artist Mukesh Singh is one to watch; I stand by that opinion.

-A book of faces, just faces, drawn by Frank Quitely would be gorgeous. Not that I don't mind when he draws other stuff mind you, but wow, look at those faces on Jupiter's Legacy.

-What's happening on that Prophet cover by Emma Rios? Intrigue smells comics.

-It took me a bit to figure out what Jim Lee cover Paulo Siqueira was paying homage to on Superior Foes of Spider-Man #4...and I'm still not sure. Shocker is Cyclops from some X-Men image, right? Gah. Help me.

100 BULLETS: BROTHER LONO #5 by Dave Johnson

ANIMAL MAN #24 by Rafael Albuquerque

AQUAMAN #24 by Paul Pelletier

AVENGERS #21 by Leinil Yu

AVENGERS ARENA #16 by Francesco Francavilla

BATMAN: THE DARK KNIGHT #24 by Alex Maleev

BATWING #24 by Darwyn Cooke

BATWOMAN #24 by J.H. Williams III

BLOODHOUND: CROWBAR MEDICINE #1 by Cully Hamner

CABLE & X-FORCE #15 by Salvador Larroca

DAMIAN: SON OF BATMAN #1 by Andy Kubert

DAREDEVIL #32 by Chris Samnee

DEADPOOL #18 by Declan Shalvey

FANTOMEX MAX #1 by Francesco Francavilla

FEARLESS DEFENDERS #10 by Mark Brooks

GREEN ARROW #24 by Andrea Sorrentino

INDESTRUCTIBLE HULK #14 by Mukesh Singh

INFINITY #4 by Ryan Stegman

JUPITER'S LEGACY #4 by Frank Quitely

MARVEL NOW WHAT?! #1 by Skottie Young

NEW AVENGERS #11 by Mike Deodato

PROPHET #42 by Emma Rios

S.H.O.O.T. FIRST #1 by Nicolas Daniel Selma

SUPERGIRL #24 by Mahmud Asrar

SUPERIOR FOES OF SPIDER-MAN #4 by Paulo Siqueira

SUPERIOR SPIDER-MAN #19 by Ryan Stegman

ULTIMATE COMICS X-MEN #32 by Gabriel Hardman

VELVET #1 by Steve Epting

X #6 by Eric Nguyen

X-MEN LEGACY #18 by Mike Del Mundo

Saturday, July 13, 2013

Art Attack: September 2013's Coolest Covers

-Alex Ross has done it all in the comics biz at this point, but I'll always remember him first and foremost for Marvels, a series that had such an impact on me in terms of showing what the medium was capable of at a time when super hero books were pretty cut and dry. One of the things that really made the project pop in huge part because of Ross was the juxtaposition of the larger than life Marvel Universe against mundane ordinary folks, exactly what he's doing on this Astro City cover, a book written by his Marvels collaborator Kurt Busiek and taking a lot of what that book did to the next level.

-Leinil Yu is on fire with his Infinity tie-in covers for Avengers. These are posters waiting to happen. His Hulk this month is intense, but this Captain Marvel is a whole other level. It's great seeing more and more artists take to Jame McKelvie's great costume design and making it work in different ways. There's a Travis Charest vibe here in the texture, but the energy crackle is a bit Kirby; the overall composition is totally Yu. Also not to be overlooked, Sunny Gho's colors, which have been dynamite working with Yu, particularly on these washed Infinity covers, as the red lights up the piece here.

-I did not initially recognize that Avengers A.I. cover as being by David Marquez, as the dude's a master but this is something new for him with the cutting elements dissecting Vision. I wonder how long that took?

-Whenever I have tried in vain to draw, from childhood to present, I've found nothing more difficult than the whole "foreshortening" deal. Drawing a straight line telescoping toward "the camera" is hard enough, but a complex shape like, say, a question mark? You have my respect, Guillem March. Nice textures and facial work too.

-Mike Allred can do equal parts boundary-pushing outside the box techie pinball games and throwback vintage portraits; this kid may have a future.

-If you've been reading this blog and these entries for any stretch of time, you may know I have certain guaranteed tics that make me love covers, stuff like good homages or somebody destroying the logo...so well played, Georges Jeanty and Buffy the Vampire Slayer Season 9!

-I highlight Massimo Carnevale's Conan the Barbarian covers a lot because I really like not just his art, but his style of painting. It's similar to other pieces I've shown this month from Dustin Nguyen and Rafael Albuquerque where the shading is such that rather than sections being dark and others being light, it seems like the whole thing is divided into slivers, each with a distinct shade. Gorgeous stuff.

-Does that David Aja cover for Hawkeye feel like him going "Your move, Mark Brooks" to anybody but me?

-Alex Maleev's cover for Secret Avengers feels like a hat tip to lots of stuff I dig. You got some Steranko S.H.I.E.L.D. in there, a bit of Bond Girl, a touch of the water color stuff his buddy Michael Oeming does--like on Mice Templar--and more. Distinctive Maleev too.

-I like seeing Paolo Rivera drawing most things, and aliens feels like something new, right? He's good.

-That Thor cover has me so pumped to see what Ron Garney does on interiors. He and Jason Aaron always seem to bring the best out of each other, this particular approach to this character seems tailored for him to really let loose.

-I'll miss you, David Yardin's X-Factor covers.

-X-Men #5 was my desktop wallpaper at work until this week.

-Also, Aaron Kuder.

ACTION COMICS #23.1: CYBORG SUPERMAN by Aaron Kuder