"I'm listening to Lita Ford's 'Kiss Me Deadly' right now. I forgot how hot she was back then."

Guy Gardner: Warrior! Darkstar Donna Troy! The full line-up of Extreme Justice! Fate! "Manhunter" Chase Lawler! Deathstroke the Hunted! Gunfire!!
In other words, all your favorites!
No idea why Azrael, Alan Scott and Deathstroke aren't colored. Guess I ran out of time and/or red and whatever color 'stroke's costume was back then.
I will say this: I still can't draw women all that well, but at least they don't all look like trannies now. Was that depiction of Wonder Woman 12-year old Ben's idealized vision of the female form? Yikes.
BLUE BEETLE: ENDGAME
John Rogers' two-or-so year solo run as the writer of Blue Beetle (ably artistically assisted most of the time by Rafael Albequerque), if there is justice in this world, will at the very least go down in comics' history as a cult favorite that was underappreciated in its time and gets fondly recalled down the line. It was such a shining example of the all-too-rare art of stringing together a highly enjoyable series of short stories that stand alone just fine, but read as a larger work kick all different kinds of ass. "Endgame" was where all the strands came together in a fantastic explosion of action and fun, with Rogers writing a Justice League International reunion that would make his buddy BB co-creator Keith Giffen proud, giving every member of the sprawling supporting cast a moment to shine, and showing why Jaime Reyes is the most endearing teenage character of this generation.
BOOSTER GOLD: BLUE AND GOLD
My buddy Geoff Johns is actually quite the funny fellow, but he doesn't always get a chance to put his sense of humor on display in his comic writing. For that reason, I got a real kick out of his 12 issues on Booster Gold, where, alongside co-writer Jeff Katz and rejuvenated artist of the year Dan Jurgens, he got to show off his comedic chops monthly while not sacrificing any of his other talents along the way. This collection of the back half of said run packs the bwa-ha-ha into a cool multiversal adventure with major stakes that highlights one of comics' greatest duos (Booster and Ted Kord, aka Blue Beetle) while also showcasing some of DC's underutilized greats (including Wild Dog!).
THE BOYS: GOOD FOR THE SOUL
At its best, Garth Ennis and Darick Robertson's "let's poke some fun at super heroes in the most vulgar ways" joyride, The Boys, is actually a book with a lot of heart, and "Good for the Soul" was a story where that showed through. Wee Hughie, the genuine nice guy stuck in this seedy, over the top world of walking atom bombs without morals, is one of my favorite characters in comics, and his romance with Annie January, this story's primary focus, is so genuine you wonder why Ennis isn't writing romantic comedies (probably all the anal rape and sex with hampsters stuff). Oh, and there's punching and dirty jokes too.
CAPTAIN AMERICA: THE MAN WHO BOUGHT AMERICA
Sometimes it seems like Ed Brubaker has been playing his own personal game of "Can You Top This" with extreme parameters on Captain America, and this year was no exception. After bringing back Bucky (gasp!) then killing off Steve Rogers (what?!) then somehow keeping the book going (and going strong) anyhow (huh?!), 2008 was the year Ed brewed those ingredients together and made Bucky a new Cap for a new more dangerous than ever America. "The Man Who Bought America" doubled as BuckyCap's trial by fire and the culmination to the Red Skull uber-plot Brubaker has been building since issue one. It's the transition of Captain America from the ensemble book it has been since Rogers' death back to a solo title, and as usual, Brubaker excels, with Steve Epting matching him on art. If you're looking for a top notch thriller that kicks the crap out of any Tom Clancy novel and also want to see some true comic book masters at work, you could do a lot worse than this bad boy.
CAPTAIN BRITAIN AND MI13: SECRET INVASION
I don't think I'm alone in feeling that Captain Britain and MI13 was one of 2008's most pleasant surprises. This initial arc was the most "Braveheart" of the Secret Invasion tie-ins, the type of story that really made you feel good and cheer the good guys regardless of the seemingly insurmountable odds. Paul Cornell was masterful in making career bit players like Pete Wisdom and Spitfire "our" characters, folks who seemed real, likable and the type of folks you'd want to follow into battle and/or get a beer with. This arc runs the gamut from epic big screen battle stuff to nice little character work, particularly with the Black Knight and Cornell and artist Leonard Kirk's new creation, Faiza.
FABLES: WAR AND PIECES
Speaking of great culminations and huge blockbuster war stories, over in Fables this year, Bill Willingham and Mark Buckingham had the daunting task of paying off their first 70 issues of build and did so with a story that played like "Apocalypse Now" starring Prince Charming and the Big Bad Wolf, and yes, that is as awesome as it sounds. Willingham times the beats perfectly and comes up with all the clever flourishes you'd expect from this series (the use of Sleeping Beauty as a WMD is particularly brilliant), but I also think Mr. Buckingham gets too often overlooked for managing a cast of thousands and making the little touches like panel borders fun month in and out. If you've ever been a fan of Fables, you owe it to yourself to check back in with this collection.
GHOST RIDER: HEAVEN BOUND & HELL TO PAY
If you've got a group of friends you talk comics with regularly, there's a good chance you heard the following at some point this year: "I've never been a fan of Ghost Rider, but man, Jason Aaron's run is pretty rad!" (Ok, if you're not one of my friends sub out "rad" for a more sensible adjective) This first Aaron arc demonstrates why his take works so well: he doesn't try to write around the fact that Ghost Rider is basically a 70's grindhouse horror flick come to life (he's a guy with a flaming skull on a motorcycle, gang), he embraces it and invites you to hang on for the ride with cannibalistic cops, chainsaw-wielding zombies and ninja nurses as well as all the high octane chase scenes you can handle. It's campy, it's over-the-top, but most of all it's fun. Pick up this book, check the part of your brain that is whiny and critical at the door, and just enjoy.
GUARDIANS OF THE GALAXY: LEGACY
I kinda see Guardians of the Galaxy as being the spiritual cousin to Captain Britain and MI13: another great team book launched in 2008 focused on a niche (sci fi here to MI13's magic concentration) that succeeded on the writers being smart and playing an eclectic cast and quirky mission statement to full potential. Too many team books launch with such nebulous purposes that something like "this is the sci fi team and they're policing the areas of the Marvel Universe beyond Earth" is gold in the right hands, and the hands of Dan Abnett and Andy Lanning are definitely those. DnA from the word go took full advantage of the fact that they've got a massive canvas on which to paint (Marvel Universe is big, y'all) and built wonderfully complex and entertaining relationships among their band of misfits (Star-Lord's neurotic micomanagement of everybody, Adam Warlock and Gamora's frostiness towards one another, Drax's weird faux-fatherly treatment of Quasar, etc.). It certainly doesn't hurt that Paul Pelletier is perfectly built to draw space opera. Add all that together, stir in some intriguing mysteries, and you've got a decent soup analogy to describe a great book that you'll want to jump on from the start.
HOUSE OF MYSTERY: ROOM AND BOREDOM
Matt Sturges and his conspirators semi-quietly launched the (for my money) best new ongoing series out of Vertigo in years with House of Mystery. Aside from the central and continuing main horror/mystery/romantic plot of a strange quintet trapped inside an even stranger haunted house, House of Mystery also has a (again, for my money) brilliant set-up for its anthology portion: the fee at the House's bar (which the main characters run) is stories, so the guests provide tales of every genre, illustrated by an impressive stable of guest artists. Whether you dig the main course, the trimmings or both, you're getting a lot of bang for you buck with this series.
INCREDIBLE HERCULES: SECRET INVASION
At some point this year, I'm pretty sure Incredible Hercules became my favorite ongoing comic book series. Not sure quite when, not sure quite how, but the answers could likely be found in this collection. Greg Pak and Fred Van Lente have blended humor, action and drama about as seamlessly as I've seen any writers do in quite some time. They've elevated not one but two characters in Hercules and Amadeus Cho from also-rans to legitimate main eventers and created a buddy duo that can hang with the Luke Cage/Iron Fist and Booster Gold/Blue Beetle pairings of the world, no problem. The high point of many over the past twelve months came when Herc and Cho launched into space alongside a grouping so random it's both comical and awesome (a team with Snowbird, Ajak and a dude who eats gods? Sign me up!) to fight the Skrull gods and prevent them from sealing the deal on Secret Invasion. You get the chuckles inherent to any Herc story, the pathos of the Lion of Olympus angsting over possibly not being able to protect another young charge, the glorious slugfests of the God Squad against Nightmare and the Skrulls, and SI's "Who Can You Trust?" mantra being as well-utilized as anywhere. Did I mention that artist Rafa Sanodval is a diamond in the rough? Love love love this comic!
MARVEL 1985
Mark Millar's ode to the 80's wasn't universally-beloved in all quarters, but I really dug it and think those willing to give it a chance will have a lot of fun. The premise of super villains and super heroes showing up in the real world isn't a new one, but Millar knows how to manage the sense of wonder and play 1985 for the "Goonies"-like ride it should be, not needing to make any sort of big statement other than "I really love this shit and I'm having a good time with it!" Tommy Lee Edwards also brings it on art duties, offering truly unique takes on classic Marvel characters (his Lizard is dope) and giving the story an appropriately otherworldly feel. 1985 isn't a filet mignon, it's a juicy cheeseburger, and if you go in expecting that, your belly will be filled nicely.
NOVA: KNOWHERE
It's an absolute pleasure to see my all-time favorite character not only continuing to star in his own ongoing series, but for said series to maintain the high quality that Nova has under Dan Abnett and Andy Lanning as well as artist Wellinton Alves. "Knowhere" is DnA's chance to expand Nova's world after taking him back to Earth and then miring him in Annihilation: Conquest, and they swing straight for the fences, bringing him to the hollowed-out head of a Celestial where he encounters a new interstellar super team and a telepathic Russian canine named Cosmo. Sound weird? It can be, but DnA make it magic. However, every other included issue aside, I have to recommend this collection if for no other reason than Nova Annual #1, which I have spoken on previously, as it gives the best capsule explanation of why Nova rocks so hard and why he is not just a Green Lantern knockoff ever.
TEEN TITANS: YEAR ONE
Kiel gave some great recommendations on comics for kids in his last entry, but I'd add Teen Titans: Year One as a product not just great for kids, but for fans of all ages. TV veteran/comics rookie Amy Wolfram comes on like a pro and updates the original Titans' origin story with charm and energy. She does a great job at distilling down each Titan to their most engaging and outstanding characteristics and bringing them to life with a vigor that sets them miles apart from their Silver Age incarnations. And, of course, I'd be remiss in not mentioning the gorgeous work of Karl Kerschl, who delivers the best performance of an already-impressive career with his heroic Robin, cute-as-a-button Wonder Girl, inhuman Aqualad, etc.
UMBRELLA ACADEMY: THE APOCALYPSE SUITE
I don't think any of us "in the know" really knew what to expect when Gerard Way from My Chemical Romance announced he'd be making inroads into comics, but I've encountered very few who read the initial volume of Umbrella Academy and were disappointed with what they got. It's out there, it's surreal, and its timeline is all over the place, but I had no problem following the story of "Apocalypse Suite" and dug the kooky voices Way gave his characters, the wild scenes of destruction, and Gabriel Ba's unique way of portraying it all. This is a case where it's tougher to describe why I liked it than to just say give it a shot and you won't be let down.
WOLVERINE: GET MYSTIQUE!
We close with the second part of my Jason Aaron two-fer, as he teams with artist Ron Garney to craft the type of Wolverine story I love to read. Following "Messiah CompleX," Cyclops sends Wolverine to track down Mystique by any means necessary, leading him on a wild chase through the middle east where Logan gets shot up, blown up and torn up as he pursues the type of femme fatale you can tell both creators relish working with. But while that's all well and good, the real meat of "Get Mystique!" is the ongoing flashback to Wolverine and Mystique's partnership from decades earlier when both ran on the wrong side of the law and teamed up for a good ol' fashioned bank caper that goes more than awry. As I believe I've said here before, I think many of Wolverine's best stories take place when he's away from the X-Men and dropped into a gritty genre tale like a western, a crime noir yarn or the martial arts brouhaha Mr. Aaron is currently weaving over in Wolverine: Manifest Destiny. "Get Mystique!" is that type of story, one that Aaron excels at, and with characters he clearly has a knack for playing with. Garney also turned in the best work he's done in years on this one and blew my mind in the process. I'd love a sequel to this sucker and am looking forward to the creative team reuniting with Wolvie in 2009 on Wolverine: Weapon X.
John Cena (c) vs Chris Jericho for the World Championship
I'm a big Cena fan because he's a hard worker, has crazy charisma, is from the Boston area and is, by all indications, a legit good guy outside of the ring (I hope that Matt Damon will star in a biopic about his life in the near future). However, he's just dull as dishwater as World champion. I know from a business standpoint it makes sense for WWE to keep him on top because he sells a shit ton of merchandise and does good ratings, but the period this summer when he wasn't in the title picture and was just feuding with JBL was the most interesting he's been since 2005. In a perfect world, Chris Jericho (who I'm also a huge fan of) would get the strap back here and they'd build to the title vs career match he and Shawn Michaels should main event Wrestlemania XV with. Unfortunately, that awesome feud has lost too much steam with Michaels being more or less inconsequential the last couple months and I'm afraid that despite his having completely reinvented himself as the best pure heel in the business, this will be the closest Jericho gets to the title for the near future. On the bright side, these two always have great matches together.
Winner: John CenaTriple Threat Match: Edge (c) vs Triple H vs Jeff Hardy for the WWE Championship
Winner isn't hard to call here as Edge seems earmaked as the heel who will carry a World title into Wrestlemania and lose it to whoever is going to be Smackdown's top babyface of 2009; the question is: who will that be? The fans have spoken and they want it to be Jeff Hardy. An Edge-Hardy title match at 'Mania would be awesome and Jeff winning the big belt would be the kind of feel good moment WWE fans have not had enough of in recent years. On the flipside, Triple H is still eliciting a decent reaction, but his act as a babyface has gotten stale. He needs to turn heel again, which is where he does his best work. Unfortunately, given Jeff's "personal demons," no matter how much they want it and the people want it, WWE may never commit to pulling the trigger with him. Regardless, the loser of this match will be more telling than the winner: whoever gets pinned is probably headed to the big show while the guy not involved in the fall will get a lame duck title shot next month at the Royal Rumble (I'd also like to see some sort of rationale behind the Edge-Vickie Guerrero reconciliation, but I'm not gonna hold my breath).
Winner: EdgeBatista vs Randy Orton
Speaking of guys with stale acts in need of a heel turn (or just...something), I give you Batista. Back in 2005, this guy was the absolute coolest mofo in the business, and I was right there with everybody else hanging off his every word or action, but somewhere along the way from there to here, the luster wore off. He's actually putting on better matches these days than he has in awhile, but as a character, he's going through the motions. On the other hand, Randy Orton has been totally reinvigorated since coming back from injury and aside from Jeff Hardy may be the most over guy in WWE (because whether the reaction is positive or negative, if it's loud, you're over). As to the match quality, these guys know each other well enough in the ring and have enough complementary intensity and movesets that it should be servicable at worst, something special at best. I'd look for Orton to win under screwy circumstances involving his second gen buddies to earn him a shot at Cena next month, and Batista to get frustrated in preparation for a heel (or at least tweener) turn so he and Cena can main event Wrestlemania.
Winner: Randy OrtonC.M. Punk vs Rey Mysterio (Winner gets an Intercontinental title shot)
First off, very cool that they're taking the time to build up the importance of the IC title with this tournament; it doesn't bother me that the week after they will go back to D-Lo Brown getting a shot after not having been on TV for months, the credibility boost will hopefully outlast that. I'm actually pretty pumped for this match (not enough that I would actually order this or any pay-per-view other than the Royal Rumble, but I am pumped to see it on WWE 24/7 in a few months) because it's rare these days that Rey Mysterio really gets a chance to showcase his skills. Years of risks and injuries have really reduced Rey's in-ring work dramatically, but to compound that, he's usually in there with guys much bigger than him who he can't get any (realistic) offense in on. Punk is a perfect opponent for him since, besides being damn skilled himself, he can get let Rey toss him around a bit without the match losing credibility. It's cool to see two guys who are ostensibly cruiserweights able to wrestle each other for stakes this high (and cool to see two former World champs going at it for a shot at the IC belt, which really elevates it). Rey seems headed into a feud with Mike Knox while current IC champ William Regal has already shown an interest in Punk, so the smart money here would be on Punk (but you never know).
Winner: C.M. PunkMatt Hardy vs Vladimir Kozlov
Matt's ECW title isn't on the line here, but Kozlov's undefeated streak is, so that pretty much forecasts the result. I almost feel bad for big Vlad, as he's got the right look, the right demeanor and the right work ethic to be a monster heel, but there's something about him that's just bland. Oh well. I'm actually looking forward to seeing Matt defend his belt against the rapidly improving Jack Swagger, so hopefully this doesn't kick off a prolonged feud.
Winner: Vladimir KozlovBelfast Brawl: Finlay vs Mark Henry
Really can't be bothered to care, as despite both guys working hard and fitting nicely into their respective grooves on ECW lately, this match just doesn't seem like it matters. It seems like they're setting up (of all things) a face turn for Tony Atlas, so I'm guessing he'll inadvertently cost Henry the match here.
Winner: FinlaySanta's Little Helper Match: Michelle McCool, Mickie James, Maria & Kelly Kelly vs Victoria, Natalya, Maryse & Jillian
An excuse to get the girls on the card and make my boss, former WWE.com Head of Divas Operatons John Cerilli, happy. Michelle and Maria are kinda feuding, so they'll probably butt heads and screw things up for their team.
Winners: The team on the right (our right, not their right)